{"id":4007,"date":"2016-09-02T08:41:04","date_gmt":"2016-09-02T06:41:04","guid":{"rendered":"https:\/\/fotografestival.cz\/2021\/\/rocnik-2019\/patroni\/"},"modified":"2019-10-17T09:37:30","modified_gmt":"2019-10-17T09:37:30","slug":"patrons","status":"publish","type":"page","link":"https:\/\/2022.fotografestival.cz\/en\/rocnik-2019\/patrons\/","title":{"rendered":"Patrons"},"content":{"rendered":"
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This year Fotograf Festival is supported by personalities, colleagues and friends from the field of culture and art in the Czech Republic and abroad.<\/h3>\n<\/div>\n<\/div><\/div><\/div><\/div>
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Hana T\u0159e\u0161t\u00edkov\u00e1<\/strong>
\nCouncillor of the City of Prague responsible for culture, heritage, exhibitions and tourism<\/p>\n

Pavel Ba\u0148ka<\/strong>
\nphotographer, co-founder Fotograf 07 z.s.
\n\u201eI am honored to be the patron of the Fotograf Festival. I was at its foundation. The first year of the festival introduced a similar theme \"the 1980s\". After nine years, the festival returns to the same time period, but the topic is viewed from a different perspective. The Archeology of Euphoria brilliantly responds to what the distance from the era of the historical changes at the turn of the 1980s and 1990s has brought to us. What has remained and what has been subjected to the sobering process and yet relentless faith. It is important to see these changes from different angles and contexts, as this year's Fotograf Festival and Fotograf Magazine are doing. Thanks to the entire festival team.\u201c<\/p>\n

Helena Koenigsmarkov\u00e1<\/strong>
\ndirector of the Museum of Decorative Arts in Prague<\/p>\n

Sr\u00e1\u010d Sam<\/strong>
\nvisual artist, curator and gallerist
\n\"A festival, to me, is generally an annoying form of presenting anything, and the exception to this rule is the Fotograf Festival, which has become an identifier of continual thinking about photography without defining ultimate boundaries.\"<\/p>\n

Petra H\u016flov\u00e1<\/strong>
\nwriter
\n\u201cI like the selection of the time period: 1985\u20131995. Finally, the Velvet Revolution does not serve as the turning point.\u201d<\/p>\n

Tomas Carl Allen and Michal \u010c\u00e1p<\/strong>
\nphotographers and founders of the Polagraph project<\/a><\/p>\n<\/div>\n<\/div><\/div><\/div>

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Michal Nanoru<\/strong>
\npublicist, music critic<\/p>\n

Ond\u0159ej Hor\u00e1k<\/strong>
\nwriter<\/p>\n

Adam Budak<\/strong>
\ncurator, National Gallery Prague<\/p>\n

Maxim Vel\u010dovsk\u00fd<\/strong>
\ndesigner, head of the Ceramics and Porcelain Studio of Academy of Arts, Architecture and Design in Prague<\/p>\n

Ester Geislerov\u00e1<\/strong>
\nactress and visual artist
\n\u201cI\u2019ve been keen on photography since my childhood. And that's why I want to support both the Fotograf Magazine and Fotograf Festival, because they are responsibly cultivating this medium and everything around it \u201d<\/p>\n

Tom\u00e1\u0161 Han\u00e1k<\/strong>
\nactor and moderator<\/p>\n

Moritz Neum\u00fcller<\/strong>
\nPhotoIreland & The CuratorShip<\/p>\n

Andreas M\u00fcller-Pohle<\/strong>
\nEuropean Photography<\/p>\n<\/div>\n<\/div><\/div><\/div><\/div><\/div>","protected":false},"excerpt":{"rendered":"

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